| Overview of the Exhibition |
In Japan during the Edo period and the Meiji era, the culture was transmitted in a pulse as trees sucked up water and their nutrients flowed to branches. In Japan at that time, art resided not only in the works created by the craftsmen, but also in the tools themselves. In this exhibition, Everett Brown will show the "Japanese remnants" hidden in artisans and tools with the 19th century technology "Wetplate Light Painting". Following the remnants of Japan in the present age, you can see what the souls dwell in manufacturing, and the footprints of Mr. Eve Ret, the tools owned by the museum, masters from various places, buildings and landscapes. | |||||||||||||
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| Profile |
Evarett Brown | Born in Washington D.C. in 1959. He studied cultural anthropology in the United States and alternative medicine in Japan and China, traveled to more than 60 countries on six continents around the world, and continued coverage. Since 1988, he has settled in Japan and explored Japanese culture deeply while operating the Browns Field, which proposes a lifestyle rooted in traditional wisdom. He has authored "Our Nippon", "Ganglo Girls", co-authored "I'm not just living" (co-authored with my wife, Deko Nakajima), "Nippon Power" (co-authored with Masago Matsuoka) and many others. In 2012, he was awarded the Commissioner of the Agency for Cultural Affairs (Cultural Dissemination Division). | ||||||||||||
| Related events | Artist talk | |||||||||||||
| Tutor | Everett Brown, Seiichi Kondo, former Commissioner of the Agency for Cultural Affairs |
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| Date and time | Friday, March 14, 2014 18:30 to 20:30 |
| Location | A Hall (1-1-1 Shinsuna, Koto-ku, Tokyo) on the 2nd floor of the Tokyo Main Store, Takenaka Corporation |
| Capacity | 120 people, free to participate |
| Application | Accepted at the following website Gallery acquad |