Highlights

Chapter 1 Demolition of Tea House

What kind of ingenuity is hidden in the delicate and delicate sukiya architecture? This exhibition will explain the skills of Sukiya carpenters through a full-scale tea room structure model or various partial models specially made for this exhibition.

Full-scale tea room structure model (appearance and interior view) [manufactured by Yasui Momoru Corporation]
A full-size model with the wall removed. Take off your shoes, go inside, and crush your structure and technology.
You can check it. The model is Daidokuji Gyorin-in Minoan (important cultural property).
Drawings of Tea Rooms Model with log ink Hikari model of base stone and pillar
Log handle model (twisting) Mr. Ruler and Mr. Tools for Katsura's ridge (Hideo Kawakami)

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Chapter 2 Dyr

 Sukiya's detailed design combines the skills and wisdom of Japanese craftsmen, such as selected materials, the aesthetic sense of the ridge that sorts them, and the craftsmanship of carefully and finely processing the materials. Here, we introduce the materials and production techniques for famous trees, fittings, surface fittings, tatami mats, etc.

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Exhibition of logs and health equipment used for Sukiya work
Watermark column pattern Watermark column sketch Tools for surface equipment
Pulling fittings found in sliding doors Design of various pulls Tools for making tatami mats

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Chapter 3 Sukiya Carpenter

 Introducing the works and relics of master craftsmen who played an active part from the Meiji era to the Showa era. Named masters such as Kiyobei Kimura, Kaichiro Usui, Sotoji Nakamura, Masaya Hirata, and Bunjiro Mizusawa will be featured. Even if you know the name in books and architectural works, you rarely have the opportunity to see real materials that can feel the spirit of the master. This exhibition will be a special opportunity to get in touch with them.

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Masters of Sukiya work
Ink pot Bamboo Hanairi "Mounyo" Tea utensils
Carpenter tools of Sotoji Nakamura Statue of Masaya Hirata Suspicious-an Tokyo branch office design drawing

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Theater corner

 In order to convey traditional aesthetic sense and skills, it is effective to convey images with video works along with exhibits of materials. This exhibition will show Sukiya Carpenter -The Creator of Beauty, a video work that introduces Sukiya's work, and a work that introduces the development process of Kitayama Sugi, which is indispensable to Sukiya.

Sukiya Carpenter -The Creator of Beauty (20 minutes, production 2012)
In conjunction with this exhibition, we have created a new video material that introduces the work of Sukiya carpenter.
Growing Kitayama Sugi, Kyoto (28 minutes, produced in 2006)
Kitayama Sugi has beautiful wooden skin known for its pillars of tokonoma. I will introduce the state of the training together with the tools used.

Catalog

We are selling catalogs at the venue. <500 yen / 1 copy, A4 size, 90 pages>
We also accept sales by mail. Click here for more information.

Contents
Greetings
Masao Nakamura, the path that Sukiya carpenter walked.
Spatial design of Sukiya
Takashi Sukiya
The spread of tea ceremony and the development of Sukiya architecture. Kunio Kirisako

Chapter 1 Demolition of Tea House-How to Make Sukiya Architecture-
 Sukiya Carpenter's World / Sukiya Carpenter's Techniques / Tools / Tea Room Woodwork

Chapter 2 Sukiyo's Detail -Delicate Technology
 Logs/Ceiling Materials/Bamboo/Naguri/Doll Walls
 Fittings / surface fittings / metal fittings / tatami mats
[Column]
 Raise Kitayama Sugi
 Base window
 From the work of Kaichiro Usui, the design of the ranma, Yasutaka Matsumoto
 The World of Traditional Beauty of Karagami

Chapter 3 Sukiya Carpenter's Legend-What a Master Craftsman Retained ~
 Kiyohei Kimura / Shujiro Kitamura / Denbei Kitamura
 Kaichiro Usui / Sotoji Nakamura / Masaya Hirata
 Bunjiro Mizusawa / Other Craftsmen
[Column]
 Development of Sukiya in modern times and carpenter Kunio Kirisako
 Sukiya Carpenter and drawing, Yasutaka Matsumoto
 Modern Sukiya architecture to the next generation Takashi Imazato Video work

Outline of the event
References

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